Jack Maatman
Editor and Motion Graphics Artist
I help teams shape complex ideas into clear, well-crafted stories: from documentaries to large-scale presentations.
Clients
Selected work
Dell Technologies
Keynote motion design for Michael Dell at Dell Technologies World
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Dell Technologies — Keynote
What I did
Designed and delivered animation within an established show framework, collaborating closely with the creative team to support clarity, pacing, and on-stage readability. Over a four-week production window, explored and refined multiple visual approaches to communicate abstract and evolving topics, including AI and sustainability.
Evolving role
In more recent years, I’ve been involved earlier — helping establish templates and systems that support smoother iteration and on-site execution.
Outcome
A polished keynote that held together under the demands of a high-profile, live presentation and supported complex ideas with clarity and confidence.
“DTW ’24 wouldn’t have been complete without Jack’s work on Michael Dell’s opening keynote — especially his smart, inventive visualization of AI.”
Vitreonics
Post-production lead on a long-form glass fusing masterclass
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Vitreonics — Expressive Landscape in Glass
Context
An educational series following world-renowned glass artist Tim Carey, designed as a deep, process-driven walkthrough of glass fusing.
What I did
Led post-production across the entire series — edit, sound, color, and graphics — shaping long-form material into a clear, watchable learning experience. The work required learning the art form itself, understanding its process and common pitfalls, and translating that knowledge into edits that support how people actually learn from video.
Ongoing collaboration
This has become an ongoing remote collaboration, with four classes produced so far, refined iteratively through real-time work over Zoom. In addition to the classes, we’ve also produced several standalone short-form videos documenting work in and around Tim’s studio.
Outcome
A focused, immersive series that makes a complex, tactile craft accessible without flattening its nuance, while supporting sustained engagement across long runtimes.
“Working together remotely, Jack and I learned to think and edit in sync — it became one of the most exciting collaborative editing experiences I’ve had.”
Slacker da Vinci
Editing a real-time docuseries built around risk and process
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Slacker da Vinci
Context
A docuseries following glass artist Tim Carey as he travels to New Jersey to collaborate with Meryl Raiffe on the creation of two custom glass guitars.
Scope
Shot as an immersive, real-time process piece, blending documentary storytelling with elements of observational reality — capturing work as it unfolds rather than after the fact.
What I did
Edited the series to balance immediacy and narrative clarity, shaping long days of process, problem-solving, and friction into a story that preserves tension while staying grounded in character. The edit embraces uncertainty, allowing moments of failure and frustration to land before the eventual breakthroughs.
Outcome
A compelling series that keeps the audience invested by placing them inside the process — present for both the setbacks and the moments when everything ultimately comes together.
Oracle CloudWorld
Motion design for live event content and supporting deliverables.
NBCUniversal — Digital Marketing
Talent interviews, EPK edits, social reframes, mash-up promos.
Museum / Touring Exhibits
Edits + motion for large-format and multi-screen exhibit media.
About
A motion designer with the heart of an editor.
I’m an editor and motion designer who likes structure, momentum, and clean decisions. I work well with directors, producers, and teams that iterate a lot — and I’m comfortable owning polish without losing the story.
If you’re hiring: I’m best when I’m embedded early, but I can also parachute in and help figure out how to make your project sing.
Contact
Best way to contact me is via email. Include your timeline + what you’re making.
© Jack Maatman